Due to sound check restriction the door time indicates the earliest opportunity we can give access to the venue. Live music will start 20-30 minutes after the door open time.
Chuck Prophet is a singer, songwriter, guitarist and producer. Chuck started his wild ride as a kid back in 1984 when Green on Red plucked him out of Berkeley, CA and threw him in the van for an eight year ride and the recording of as many albums. Décor Records met the Kid back in 1984 as well and even let the kid bed up in their casa. There was much revelry, some sickness and people were told to leave, Green on Red purchased fishing rods the next day at Woolworths…RIP. Green on Red were seminal purveyors of American Roots-Rock and broke up in 1992 just before an entire movement followed in their wake. Since then Chuck has recorded nine amazing solo albums and toured and recorded with the likes of Lucinda Williams, Aimee Mann, Cake. Alejandro Escovido and Jonathan Richman. The likes of Ryan Adams, Solomon Burke and Heart have recorded his songs, along with a host of others. Known for his guitar style, which follows in the tradition of such players as Keith Richards and Alex Chilton while Prophet vocal styles have been compared to Dylan and Tom Petty. Chuck’s never been one to rest on his laurels and ride it out and his last two records have been his best yet.
Max Gomez - The son of an artisanal furniture craftsman, Gomez grew up watching his father, learning the tools of the trade while simultaneously learning his way around the frets of his guitar. The workmanlike quality of his songwriting carries over from his days spent in the woodshed through an economy of words, phrase and narrative. A blues enthusiast from an early age, the young Gomez immersed himself in the primordial Delta and traditional folk blues of Lead Belly, Big Bill Broonzy and, of course, Robert Johnson. Though 1,200 miles and decades removed from his Mississippi heroes, Gomez had his imagination to fill in the gaps. Having honed his chops on the blues, Max turned his interest to traditional American folk music; “I’m influenced by the old stuff,” Max admits. “To me, that’s the best music.” As the Harry Smith anthology gave way to contemporary masters Townes Van Zandt, Kris Kristofferson, Guy Clark and John Hiatt, so did Gomez’s songwriting.