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American Aquarium
Plus Tim Easton

Friday March 24th 2017

The Bullingdon, 162 Cowley Road, Oxford, OX4 1UE

Doors 7.00 p.m.  
Tickets £13 in advance £15 on the night
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Due to sound check restriction the door time indicates the earliest opportunity we can give access to the venue. Live music will start 20-30 minutes after the door open time.
For nearly a decade, American Aquarium have spent the majority of their days on the road, burning through a sprawl of highways during the day and playing hours of raw, rootsy rock & roll at night. Sometimes, the job is a grind. Most times, it's a blessing. American Aquarium's songs, filled with biographical lyrics about last calls, lost love and long horizons, have always explored both sides of that divide. For every drunken night at the bar, there's a hangover in the morning. For every new relationship, there's the chance of a broken heart. It's that kind of honesty — that sort of balance — that makes the band's newest album, Wolves, their strongest release to date.
And it nearly didn't happen. When American Aquarium traveled to Muscle Shoals to record Burn.Flicker.Die. in 2012, they were convinced the album would be their last. Even though they had enlisted the help of award-winning singer-songwriter Jason Isbell to produce the sessions, they were exhausted; weathered and whittled to the bone by more than a half-decade of heavy partying and heavier touring. To a small group of diehard fans, they were absolute rock stars… but being rock stars to a cult audience doesn't always put food on your table or gas in your tank. BJ Barham, the band's front man, was so poor that he'd been living out of a storage unit for months, unable to afford an apartment in the band's hometown of Raleigh, North Carolina.
Clearly, something had to give. Maybe it was time to make one final album — an album about failure, desperation and disillusionment — and then throw in the towel. As fate would have it, Burn.Flicker.Die. eventually proved itself to be the band’s most successful release to date. Critics loved it. Fans rallied behind it. Fast-forward 2 years and almost 500 shows later, the band has travelled the world, quadrupled their fan base and reinvented their passion for the road. When the time came to record another album in June 2014, it only made sense to do something that celebrated survival rather than failure.

The result? Wolves, which Barham describes as "the sound of a band firing on all cylinders". Produced by Megafaun's Brad Cook and recorded during a 20-day stay at Echo Mountain Studios in Asheville, NC, Wolves was funded entirely by American Aquarium’s diehard fanbase. The album’s 10 tracks represent a departure from the band’s signature twang. Instead drawing more from the alternative rock sound that inspired their name almost a decade ago. Wolves blends the twang of the pedal steel with the dark, dirty swirl of two electric guitars, creating a sound that's fit for the roadhouse, the honky tonk and the dive bar. Barham has certainly spent time in all three, but now looks to brighter horizons in these new songs.
"I've always written about being the drunk guy at the bar at 2 a.m.," he admits. "I've written about the pick-up lines and the drinking and the drugs. This record is more personal than that. It's a coming of age record."

It's also a record that reaffirms his faith in American Aquarium, a band he started in 2006. Since that time, more than 25 musicians have passed through the group's ranks. In recent years though, things have felt a lot more stable. Ryan Johnson, Bill Corbin, Whit Wright, Kevin McClain and the newest addition, Colin Dimeo, round out the group, turning Barham's songs into fiery, fleshed-out compositions.

With Wolves, which hit stores in early 2015, American Aquarium is literally bigger and better. "We were legitimized by Burn.Flicker.Die." Barham says. "That album was a breakup record with the road. It basically said, 'This is our last album, this is why we're quitting, and hey, thanks for the memories.' Fast-forward, though, and we've got a new record that says, 'We ain't done yet.'"
"Tim Easton is a songwriter's songwriter." Jim Lauderdale

American songwriter Tim Easton was born in upstate New York, right across the river from Canada, his Mother's home country.  He grew up in Akron, Ohio and spent three years living in Tokyo because of his father's job at Goodyear Tire.  

Traveling early and often, he learned the ways of the road and rails and spent 7 years as a bonafide troubadour, making his way around Europe, playing the streets and clubs-living in Paris, London, Prague, Dublin, or wherever he laid his hat. It was this period of time when he developed his songwriting style-folk based storytelling and personal traveling tales, often peppered with bold confessions or "tell it as is" reality.  Rolling Stone Magazine praised him as "having a novelist's sense of humanity.”
 
Returning to his roots in North America, New West Records released five solo albums starting with 2001's "The Truth About Us," which featured Jay Bennet, Ken Coomer, and John Stirrat (of WILCO) as the backing band. Invitations from mentors Lucinda Williams, John Hiatt, and Steve Earle as a support act followed. 
Many tours later, after settling in Nashville, Easton recorded an album for THIRTY TIGERS (Not Cool, 2013), which accented the stripped down Memphis & Sun Studios sound of the Tennessee Three. His ninth solo album, American Fork, is a grand departure from his previous efforts, featuring a fully fleshed-out backing band, musicians and elaborate song arrangements.  It was released September 2nd on LAST CHANCE RECORDS (North America) and AT THE HELM RECORDS (UK) in September, 2016 and reached to #11 on the Americana Music Association's Radio Charts in Billboard Magazine.

Recently, Easton reached the milestone of having 100 published original songs which he celebrated by releasing a hundred solo performance videos on a hundred consecutive days, mostly from his home in Nashville, Tennessee, on his personal YouTube channel, and publishing a book of 100 lyrics.